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I found the clerks' mess a bunch of bright good fellows. After supper, stretched on the harsh turf under the June stars, with everyone's head (save mine) in some one's lap, we smoked, talked and sang. Only Gholson was called away, by duty, and so failed to hear the laborious jests got off at his expense. To me the wits were disastrously kind. Never had I been made a tenth so much of; I was even urged to sing "All quiet along the Potomac to-night," and was courteously praised when I had done so. But there is where affliction overtook me; they debated its authorship. One said a certain newspaper correspondent, naming him, had proved it to be the work--I forget of whom. But I shall never forget what followed. Two or three challenged the literary preeminence of that correspondent, and from as many directions I was asked for my opinion. Ah me! Lying back against a pile of saddles with my head in my hands, sodden with self-assurance, I replied, magnanimously, "Oh, I don't set up for a critic, but--well--would you call him a better man than Charlie Toliver?"

"No."

"Too warm?"

"Good-bye,--Dick."

I caught my breath in rapture and rode away. She was there yet when I looked back--once--and again--and again. And when I looked a last time still she had not moved. Oh, Camille, Camille! to this day I see you standing there in pink-edged white, pure, silent, motionless, a summer-evening cloud; while I, my body clad in its unstained--only because unused--new uniform, and my soul tricked out in the foolhardiness and vanity of a boy's innocence, rode forth into the night and into the talons of overmastering temptation.

I stepped back, heaving. "Who and what are you? Who and what are you?"

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