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"Are you not a New Orleans boy?" she asked as I lifted my képi and drew rein.

He smiled. "No, but I can put some there if you want it."

"Um-hm!" I thought; "Charlotte Oliver, eh?" I responded tartly that I had that very morning met four ladies the poetry of whose actual, visible loveliness had abundantly illustrated to me the needlessness and impertinence of fiction! By the way, did he not think feminine beauty was always in its ripest perfection at eighteen?

The note of patriotism righted me and I looked a third time. The one art of dress worth knowing in '63 was to slight its fashions without offending them, and this pretty gift I had marked all day in the Harpers. But never have I seen it half so successful as in the veiled horsewoman illumined by the side-lights of those burning fence-rails. The white apparition at the veranda's edge gleamed in my mind, yet swiftly faded out, and a new fascination, more sudden than worthy heaved at my heart. Then the fire was behind us and we were in the deep night.

Day came swiftly. By the time I could trot down to the sycamore it was perfectly light even in the shade of an old cotton-gin house close inside the corner of the small field around which I was to turn. The vast arms of its horse-power press, spreading rigidly downward, offered the only weird aspect that lingered in the lovely morning. I have a later and shuddering memory of it, but now the dewy air was full of sweet odors, the squirrel barked from the woods, the woodpecker tapped, and the lark, the cardinal and the mocking-bird were singing all around. The lint-box of the old cotton-press was covered with wet morning-glories. I took the bridle-path between the woods and the field and very soon was down in the dense forest beyond them. But the moment I was hid from house and clearing I turned my horse square to the left, stooped to his neck, and made straight through the pathless tangle.

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